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Do you hear what I hear?

Occasionally, I see a post about a confused use of LOL. Someone thinks it means Lots of Love and sends it in response to the news of a death or illness. While simple misunderstandings are the basic stuff of comedy it can also hide an underlying tension. While technology now allows us to communicate with each other, it assumes a common base of knowledge and understanding or common ground. It seems that more and more we are caught in a place where we think someone has a similar frame of reference that doesn’t exist for them.  You may remember the instance of the sick passenger of colour in “Airplane” who couldn’t communicate to the flight attendant his illness until another passenger stepped up and said, “Excuse me, but I speak Jive.” While it is a joke in the movie, what happens when we no longer have a common language or set of experiences to draw from. The internet can bring us an awareness of the world outside ourselves as all media does, but what happens when we have no common ground with which to agree (or disagree)? Perhaps it would be a world of Gertrude Stein, where every element matters as much as any other. This democratization of language, with every voice having an equal value, seems to rob us of the common intellectual space to speak and be understood.

Remove term: access accessRemove term: airplane airplaneRemove term: communication communicationRemove term: connections connectionsRemove term: democratization of language democratization of languageRemove term: dialogue dialogueRemove term: discussion discussionRemove term: Excuse me Excuse meRemove term: flow of information available flow of information availableRemove term: Gertrude Stein Gertrude SteinRemove term: I speak jive I speak jiveRemove term: information informationRemove term: information society information societyRemove term: Jive JiveRemove term: lost lostRemove term: Mc Luhan Mc LuhanRemove term: media mediaRemove term: perception perceptionRemove term: personal communication personal communicationRemove term: social media social mediaRemove term: Technology Technology

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Trading One Devil for Another

He said he was going through some papers in his mother’s house and found it, a postcard I had sent him years before when I still lived in New York. It was the Empire State Building and a brief greeting scribbled on the back- how I was working (or not) and sending good thoughts to a friend in Italy. He scanned it and sent the image to me saying- “Remember when people used to actually sent messages with pen and paper?” As I looked at the image, the sepia-toned memory was quickly replaced by the buzz of my phone announcing another post on Instagram and it made me wonder, what really has changed. While we used to send letters we now send emails and postcards have become Facebook or Instagram posts. We seem to be exchanging one devil for another constantly shedding the shell of the old for the perceived new. As Virginia Heffernan writes in her brilliant “Magic and Loss” we seem to be heralding back to a Victorian age where children are to be seen and not heard. indeed, she suggests that now we produce children only to produce images to spawn more likes and shares, their images frozen in electronic amber. People now scale construction sites and buildings to post images from these heights, now known as rooftopping possibly giving up their lives for a like. Yet if we lose our life in this pursuit our digital legacy will live on.   Our digital artifacts will outlive us and one day might be museum pieces, like stereoscope or view-master slides holding us all captive in an electronic eternity.

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A Rooftopper risking life for like.

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Everybody’s Got the Right but What About the Responsibility?

It was an honor just to be asked. I was a first-year masters student in the opera program and a very well respected accompanist asked me to sing on a recital of the songs of Hugo Wolf. The songs had been selected and I was ready for what was to become a pivotal event in my musical education. Among the songs was one, Abschied (there is a link to a performance below) that described a critic coming to the poet’s house and criticizing everything from the shape of his nose and going on from there. The poet listens and nods until finally he has had enough and on showing him out, kicks him down the stairs as the music turns to a waltz celebrating the speed to which the critic rolled down the stairs. This uninvited criticism has been on my mind for while with the incidents of body shaming that seem to be everywhere on the internet. Now, I firmly believe that everyone has the right to express themselves and if that means putting a large body into a very small swimsuit and posting pictures of myself on the internet- that seems to be my choice and by putting myself in the public sphere, I invite public discussion. However, discussion seems to be beyond the pale when people suggest that for my act of public exposure that I should instead, kill myself or be so horrified by my own existence, that I should somehow know better than to allow myself to be seen or exposed. How did we get to this point where everyone seems to have the right to say exactly what they feel whenever they feel it but no one has to take responsibility for their actions. It seems that we can say all manner of hate speech but that it is negated and indeed made all better when we apologize or in the case of 45 keep saying it more and more forcefully until it takes on the mangy robe of social media truth. Have we come to a gradation of truth- truth with a small t that can be altered with the shift of a hand like a magician making the ace of spades disappear. Indeed, perhaps we are at blame to give anyone’s words the mantle of truth. In the works of the Burton and Learner song, “How Could You Believe Me When I Said I Love You When You Know I’ve Been a Liar All My Life?” perhaps we must take everything with a proverbial grain or block of salt, believing only what we can confirm either in person or by volume of critical sources. Maybe the best approach is that taken by Wolf (and by extension Eduard Mörike the writer of the poem) that while we allow such comments to come in the front door- we also have the choice of which window to throw them out of.

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