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What am I missing…

While listening to public radio, my ears perked up when I heard a story about how the first MP3 was created. It seems that in 1987, Tom’s Diner by Suzanne Vega was the first song that was compressed into what we now know as the current MP3. It seems that to create an MP3 the file is compressed and that some of the audio data is lost in the process. While the current technology seems to give us acceptable losses, there are losses none the less. Ryan Maguire’s Ghost in the MP3 project examines this lost information and presents this lost data as an oddly beautiful piece of music, a sort of phoenix from the ashes. In addition, our cell service is regularly flattened which has the effect of removing the emotion out of the voice we are listening to while supposedly reducing background noise, it also removes some of the emotional content of the voice- possibly one of the few remaining things that we have that computers can not yet replicate.
While these losses may seem insignificant, it reminds me of the poem by Martin Niemoller, “First They Came” how one by one the Nazis purged groups until there was no one left to protest when at last they came for the author, no one was left to hear his protests. What exactly are we compressing, do we know what we loose over the thundering goosestepping of technology. While I like to think we have learned from our mistakes if we wait too long our calls of protest will be devoid of emotion content in the interest of reducing the background noise.

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Ghost in the Machine

I like Christopher Marlowe. If a person can be said to have a favorite Elizabethan playwright, then Marlowe would be mine. So my ears perked up on hearing that researchers doing a word to word comparison now believe that Christopher Marlowe wrote some of Shakespeare’s Henry IV plays and may have a hand in other works of the bard. The idea of determining exactly who did what in a creation of a piece of art is certainly not new, scholars regularly debate over who is responsible in the works of John Lennon and Mc Sir Paul McCartney, the cubist paintings of Braque and Picasso and many others.
When one sits down to read a work of fiction and often a work of non-fiction, one can tell a great deal about the author from the style in which they work. Most readers would never confuse Hemingway with Faulkner nor Dickens with Twain; and yet is this true of writers in computer code?
While it would not be debated that code is a form of communication, even if it is with a machine, which human communications do have but does the communication with a computer have some aspect of the writer inherent in it? There are many articles as to what personalities make a good coder, but what about the personality in the code? When one communicates with a machine do we lose our humanity and communicate in a mode devoid of human characteristics. When we speak to our pets we don’t speak like automatons and we have names and assign personalities to our cars or other mechanical items we have a relationship with. Does our communication with computers remove our humanness to the point that, were we to go back and look at a piece of code be completely unable to ascertain anything about the author or even if the author were human? Could it be that in speaking with computers, we find ourselves losing the thing that makes us, us?

determining personalty in computer code

Christopher Marlowe and William Shakespeare

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