The church choir that I am section leader for has been invited to Carnegie Hall to sing a concert featuring a new choral work by Dan Forrest, LUX: The Dawn From On High (Lux being Latin for Light). While I won’t be going to Carnegie, for many reasons, having sung there before among them, I have loved learning the music with my choir. The crux of the piece talks about the importance of light, light as a blessing and a spiritual end result from a life- an abundance of light as a heavenly reward. The text of the piece from religious texts and comments on the end of one’s life being surrounded by light. It makes me think of a pre-electric age the importance of light and the power of the darkness. Restoration theaters had candle wick trimmers whose job it was to keep the candles burning throughout the performance. In New England, on the 19th of May 1780, is known as New England’s Dark Day where candles were needed from noon to midnight, so heavy was the cloud cover. Perhaps we still harbor that childhood fear of the dark and bathe ourselves in light to protect ourselves from the unknown. Is that the reason for the preponderance of light in the religious texts describing heavenly bliss? What would be better in the afterlife than the things that we lack in this life? With that thought in mind, it makes me wonder what would be the valued thing would be that would greet us in a contemporary afterlife. What would be our final blissful reward in heaven? In short, what would be the final reward to a culture that has reveled in abundance and immediacy in everything?
While listening to public radio, my ears perked up when I heard a story about how the first MP3 was created. It seems that in 1987, Tom’s Diner by Suzanne Vega was the first song that was compressed into what we now know as the current MP3. It seems that to create an MP3 the file is compressed and that some of the audio data is lost in the process. While the current technology seems to give us acceptable losses, there are losses none the less. Ryan Maguire’s Ghost in the MP3 project examines this lost information and presents this lost data as an oddly beautiful piece of music, a sort of phoenix from the ashes. In addition, our cell service is regularly flattened which has the effect of removing the emotion out of the voice we are listening to while supposedly reducing background noise, it also removes some of the emotional content of the voice- possibly one of the few remaining things that we have that computers can not yet replicate.
While these losses may seem insignificant, it reminds me of the poem by Martin Niemoller, “First They Came” how one by one the Nazis purged groups until there was no one left to protest when at last they came for the author, no one was left to hear his protests. What exactly are we compressing, do we know what we loose over the thundering goosestepping of technology. While I like to think we have learned from our mistakes if we wait too long our calls of protest will be devoid of emotion content in the interest of reducing the background noise.
One of the early forms of music is Gregorian Chant- its a sacred based form of unaccompanied singing. The basis of the music is the alternating of two beats or pulses and three pulses. This alternating pulse or beat is the basis of this music and one of the foundations of western music. This pulse of alternating two and three made me think about binary code and the alternating pulse of 0’s and 1’s. This has become the basis of computer code and the basis of all the innovations that computers have brought. Now if you think that computers are in their infancy where will this alternating pulse take us. And if that is the basis of so two world-changing ideas shouldn’t we give a bit more respect to the pulse – the simple rhythms around us? The pulse of alternating two and three, or one and zero or the pulse of the amazing machine that animates us, our heart..